Six Metamorphoses after Ovid, op. 49, by Benjamin Britten, Britten composed this work for solo oboe for the oboist Joy Boughton who premiered the piece. Benjamin Britten. Metamorphoses (6) after Ovid, for oboe solo, Op. Composition Information ↓; Description ↓; Parts/Movements ↓; Appears On ↓. A gap of fifteen years separates the somewhat experimental exuberance of Temporal Variations from the assured mastery of the Six Metamorphoses after Ovid.

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Six Metamorphoses after Ovid – Wikipedia

Related Links Britten Page. Six Metamorphoses after Ovid Op. Retrieved 2 August Masters of the Oboe. However rich in tone, it is basically without extensive change in color throughout its two-and-a-half octave range and is generally monophonic. AllMusic relies heavily on JavaScript. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.

Genre Chamber Music Classical. Juni in Thorpeness gespielt wurden. This contrasts with the second metamorphosis, a quick and rhythmic representation of the chariot ride of Phaeton, marked vivace ritmico. Streams Videos All Posts. Sexy Trippy All Moods. Night Mail The Prince of the Pagodas By virtue of the music being written for a solo instrument, Britten allows the performer licence to be highly expressive.


October Total duration: PAN who played upon the reed pipe which was Syrinx, his beloved. Complete Works with Oboe.

Ovid’s greatest work, Metamorphoses, is a fifteen-volume treatise of the disillusionment of his generation described in terms of the instability of nature. The sly languor of Pan, the ill-advised daring of Phaeton, the sad immobility of Niobe, the tipsy revelries of Bacchus and his troop of boys, Narcissus contemplating his own image, the tumbling fountain of Arethusa—all are caught in a perfectly conceived outdoor music that must have yielded pure enchantment at its first performance over the waters on that June afternoon.

Piano Concertorev. Retrieved from ” https: In the same year Britten composed six little pieces for solo oboe, to be performed by Joy Boughton daughter of the composer Rutland Boughton during the Aldeburgh Festival. Certainly one might well wonder, upon first encountering the Metamorphoses, why Britten chose an instrument as seemingly limited as the oboe. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.

Classical Net – Britten – Six Metamorphoses after Ovid

Share on facebook twitter tumblr. Metamodphoses Featured Composition Noteworthy. Yet, upon further acquaintance with the music, it becomes clear that it is these very restrictions that attracted Britten to the instrument and which allow his melodic and harmonic metamorphoses to take center stage, unfolding with great clarity.


The work concludes with a “pleasant and meandering” representation of beauty and flow. Home News Contacts Copyright. War Requiem film.

Benjamin Britten Six Metamorphoses after Ovid Benjamin Britten was an enthusiastic composer of music for his close friends and colleagues, including solo works for cello, harp, and oboe.

The next real concert piece metamorphosed the Metamorphoses would be the Sonata for cello and piano of Oboe – Solo and Accompanied.

Homage to Paderewski Variations on an Elizabethan Theme Six Metamorphoses after Ovid, Op 49 composer.

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Please enable JavaScript in your browser to use the site fully. The music of the first metamorphosis echoes the “free-spirited” character of its titular figure: The four-part fourth metamorphosis reflects the atmosphere of a drunken feast or festival.

InBritten was primarily concerned with writing his opera Billy Budd. Britten ‘s only work for solo oboe takes Ovid’s famous literary work by the same name as its starting point.